We return to Fukushima to cover farmer’s campaign for mayor

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Akihiro Asami left his life as a city salaryman to raise his family on a self-sustaining organic farm in the mountains of Kitakata, on the western outskirts of Fukushima prefecture.

When the Fukushima Daiichi Nuclear Power Plant melted down in 2011, Akihiro’s wife Harumi evacuated with their two young daughters.  Akihiro stayed behind to continue farming.  In the face of public fears of Fukushima food, some of Akihiro’s neighbors were unable to keep their farms going and moved away.  Akihiro found his crops showed no detectible contamination from the fallout.  He worked to hold his community together.

In 2012, Harumi and the girls moved back to Kitakata, accepting the risk of exposure over the pain and disruption of separation and displacement.

This month, Akihiro announced that would run for mayor of Kitakata on a platform of local economies and natural agriculture as an alternative to the unsustainable systems that spawned the nuclear disaster.

In January we return to Fukushima to capture Akihiro’s dark horse campaign, a hopeful protest by one Fukushima farmer for a better way to live.

Please help us to continue our journey, complete the film, and share the stories of Akihiro and his fellow Fukushima farmers with the world.  We gratefully accept tax-deductible donations.

Fukushima Year Three: Renewal

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As we mark the second anniversary of the Great East Japan Earthquake, tsunami, and nuclear disaster, we present the new trailer for our in-progress documentary Uncanny Terrain, following the organic farmers of Fukushima fighting for the right to cultivate their contaminated land and preserve their traditional communities.

We plan to return to Fukushima this spring to capture where the farmers are two years later, as they continue their efforts to rebuild their lives and restore their farms.

Please help us cover the cost of making this trip and completing the film, by making a tax-deductible donation.

Rio+20: Four Fukushima Farmers

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This video, capturing the diverse views of four Fukushima activist farmers, screens beginning June 16 in the Rio+20 United Nations Sustainable Development Conference, where one of our main subjects, Seiji Sugeno, director of the Fukushima Organic Farmers Network, is presenting.

Would You Stay?

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We were prepared to talk our way past a police checkpoint—or play dumb, in my case.  But we drove right over the border unaccosted.  13 months after the tsunami, the fields remain strewn with twisted cars and the insides of ravaged houses.  Cracked and roofless buildings stand untouched since the earthquake.

12 km up the Pacific coast from the still-smoldering Fukushima Daiichi Nuclear Power Plant, Minami-Soma was cleaved in two.  The north side of the city remains populated, while the south end was abandoned to the nuclear exclusion zone.  That is, until April 16, when, for the first time, evacuees were allowed to return home without a special permit, though they still can’t spend the night.

The Nemotos had an organic farm here for 12 years, spreading sustainable practices to their neighbors.  Mrs. Nemoto lost cousins in the tsunami.  They evacuated first to Fukushima City, where radiation is twice as high as it is here, and later to adjacent Soma, where they live with their son’s family.  The trauma of relocation has left their teenage granddaughter suffering sleepwalking and seizures.

Koichi Nemoto is determined to resume farming his evacuated land.  He’s working with a team of researchers to test various experimental methods of preventing crops from absorbing radioactive cesium.  He can grow anything, he says proudly.

It’s the complete opposite for their next-door neighbors, also named Nemoto (the name of the neighborhood, too).  The neighbor Nemotos have no desire to move back, they tell us as they revisit their abandoned home, and they consider cultivating their fields a lost cause.  They just want the government, or the power company, anybody, to buy their property, so they can move on.

If you were a Fukushima farmer, would you stay?

This was just one of the provocative questions students asked us, often in eloquent English, after we screened preview footage of our documentary Uncanny Terrain at Junko’s high school alma mater Inakita in Nagano in central Japan.

I answered that in the U.S., it’s relatively easy for us to pick up and go at the first sign of crisis or opportunity.  I’m a proud Chicagoan, sure, but the sense of identification the people in Fukushima feel for the land is on a whole other level.  One of my personal goals for this project is to better understand that sense of attachment.

I only learned later when she translated her answer for me that Junko said she would probably stay.

What makes a person decide whether to move on or stick out a disaster whose repercussions won’t be fully understood for decades?

How can these two families of Nemotos, living side by side, have such contradictory responses to the disaster?

Among the dozens of farmers we’ve met in the past year, we have seen a particular commitment by organic growers to stay and cultivate.  This is counterintuitive on its face.  These farmers, who have worked hardest to keep their crops free of contamination, are now the most perseverant in the face of the most insidious contamination they’ve ever encountered.  But on another level it makes perfect sense.  The commitment they have made to protect and perfect their land is not something they can walk away from, no matter the odds.

Please make a tax-deductible contribution to help us cover the cost of capturing and sharing this unfolding story.  And please spread the word.  Thank you!

Our second year with Fukushima farmers fighting for their land

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Organic farmer Akihiro Asami's wife and daughters evacuated in March 2011 from Aizu, 130 km west of the Fukushima Daiichi Nuclear Power Plant. The girls only saw their father a few times last year. In the winter, the family reunited in Aizu.

The organic farmers of Fukushima have spent the past year coping not only with the contamination of their ancestral land with radioactive fallout from the Fukushima Daiichi Nuclear Power Plant, but also bureaucratic barriers to compensation, inconsistent guidelines from a government scurrying to project an illusion of normality, scarcity of accurate information and equipment to understand the contamination, hostility from a frightened public, and a steep drop in sales that threatens to undermine the regional economy and shatter their way of life.

23-year-old Mizuho Sugeno spends the growing season working on her family's Playing-With-Clouds-Land organic farm in Nihonmatsu, Fukushima. But in the winter she competes internationally in the Southeast Asian sport Sepak Takraw.

The farmers have steadily educated themselves about the threat of radiation and how to cope with it, adapting traditional methods, acquiring testing equipment and incorporating experimental techniques to prevent their crops from absorbing cesium and try to decontaminate the land with minimum loss of its fertility. But will their efforts be enough to keep organic farming alive in northeast Japan?

After spending five months in 2011 following the farmers through the growing season, filmmakers Junko Kajino and Ed M. Koziarski are back in Japan to capture the second year of the nuclear crisis for our documentary Uncanny Terrain. We thank you for joining us on this journey. And we hope that you will continue to support us by spreading the word about this project, and making a tax-deductible contribution to our IndieGoGo campaign, which runs through May 1.

In March we held a series of preview screenings in New Jersey and Massachusetts, with lively and thoughtful audience discussions after each screening.  We can provide preview footage for your school, organization, or venue, and either travel there or join you via teleconference.  Please write us to inquire.

Michigan screening, save the date: we will screen preview footage at an exhibition of photography from the aftermath of the earthquake and tsunami, April 20 at Aquinas College in Grand Rapids, Michigan.  Details TBA.

One Year After the Meltdown

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Please join our IndieGoGo campaign to help Uncanny Terrain return to Fukushima.

To the East Coast and On to Fukushima

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Today Uncanny Terrain codirector Junko Kajino begins an East Coast mini-tour, presenting scenes from the in-progress documentary for schools and community groups. Please join her if you’re in the area.

Filmmakers Junko Kajino and Ed M. Koziarski spent five months inside Japan’s nuclear contamination zone for our documentary Uncanny Terrain – living and working with the farmers, researchers and volunteers who have committed themselves to take the nuclear crisis as an opportunity to build a better society.  We’re going beyond disaster reporting, to show what it is really like for these people who refuse to bow to devastating odds.

Now we need your help to return to Japan and revisit those working on the front lines of the nuclear crisis, as they mark the one-year anniversary and the farmers prepare to plant again.

We need to raise $10,000 by March 31 to cover the cost of traveling to Japan and shooting there through the April planting. Please join us by donating to and sharing our new IndieGoGo campaign.  We encourage PayPal contributions because they are tax-deductible, and funds are available to us immediately. Thank you to everyone who has already supported  Uncanny Terrain. Please send this invitation to your friends.  Join the campaign on Facebook.

The organic farmers of Fukushima prefecture toiled for 40 years to grow safe, nutritious and delicious crops on their ancestral land while two nuclear power plants in the prefecture helped feed Tokyo’s increasingly voracious energy appetite.

Since the March 2011 tsunami triggered the meltdown that spread radioactive contamination on much of the lush farmland of Fukushima and eastern Japan, the farmers have been caught between a government in constant denial of the risks of radiation, and outraged citizens who brand the farmers “child murderers” for continuing to cultivate irradiated land.

But the farmers, researchers and volunteers are committed to building a comprehensive monitoring and reporting network to inform citizens about contamination levels in food, air, water and land, so families can make their own informed decisions; and advancing experimental methods to decontaminate soil or prevent crops grown on contaminated soil from absorbing radiation.

Fukushima has demonstrated the need for greater public vigilance to keep all our food and energy producers honest, not just about radiation but about all the potential contaminants that our collective appetites introduce into our bodies and our communities.

Please support Uncanny Terrain and help generate dialogue about these vital issues and assure that the struggles of people in Fukushima can stimulate positive change in the world.  Thank you!

 

Uncanny Terrain reception Sunday and more

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This is video we shot of the December performance at the Museum of Contemporary Art Chicago by Uncanny Terrain composer Tatsu Aoki‘s group Tsukasa Taiko Legacy at JASC.

Tatsu and his band The MIYUMI Project will accompany preview scenes from Uncanny Terrain with their fusion of jazz and Japanese classical music from 6-7 p.m. at High Concept Laboratoriesbenefit reception this Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.

Featuring art by David Tanimura, sushi by Chef Atsushi Iwamoto of Mizu Yakitori (thanks to Mayumi Miyazaki and Asako Hoichi), organic Daishichi Sake courtesy of JFC International, kurimanju and inarizushi by Jo Anne Yamamoto of Auntie Jo’s Yummies, and appetizers courtesy of Shino Tamura from Murasaki Saki Lounge.

All this for no cover charge! But a portion of art sales and all donations benefit our return to Japan in March to capture the first anniversary of the earthquake, tsunami and meltdown. If you’re coming, be sure to rsvp here or here.

Can’t miss the first half of the Superbowl? Not in Chicago? We still invite you to make a tax-deductible donation to fund the completion of the film.

Make checks payable to our new fiscal sponsor, Asian Improv aRts Midwest (AIRMW), c/o Japanese American Service Committee, 4427 N. Clark, Chicago, IL 60640 (memo: Uncanny Terrain).

And we continue to accept online donations through our ongoing fiscal sponsor Ionia Inc.

Illinois Arts CouncilUncanny Terrain has been awarded a grant from the Illinois Arts Council‘s Individual Artist Support fund for media arts. Thanks!

Why we’re making Uncanny Terrain

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Filmmakers Junko Kajino and Ed M. Koziarski talk about making the documentary Uncanny Terrain, about organic farmers facing Japan’s nuclear crisis.  http://tinyurl.com/uncannyterrain