Fukushima Year Three: Renewal

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As we mark the second anniversary of the Great East Japan Earthquake, tsunami, and nuclear disaster, we present the new trailer for our in-progress documentary Uncanny Terrain, following the organic farmers of Fukushima fighting for the right to cultivate their contaminated land and preserve their traditional communities.

We plan to return to Fukushima this spring to capture where the farmers are two years later, as they continue their efforts to rebuild their lives and restore their farms.

Please help us cover the cost of making this trip and completing the film, by making a tax-deductible donation.

Work-in-Progress Screenings, Kartemquin Films, New Projects, and More

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Mizuho Sugeno

asami girls cemetery

The Asami family farms in Aizu in Western Fukushima.

2013 greetings from Junko Kajino and Ed M. Koziarski of Homesick Blues Productions, the filmmakers behind the ongoing documentary Uncanny Terrain, about organic farmers in Fukushima, Japan fighting to hold onto their land and their livelihoods in the face of nuclear fallout.

We are well into editing footage from our first two years of production.

We are gearing up to return to Fukushima to capture the farmer’s ongoing struggle to build a healthier, more sustainable food supply, two years after the Great Japan Earthquake and Tsunami of 2011 and the meltdown of the Fukushima Daiichi Nuclear Power Plant.

Work-in-Progress Screenings

Work-in-progress footage from Uncanny Terrain will be screened in the Urgenci 5th International Community Supported Agriculture Conference, Tuesday, Jan. 22 at Asilomar Conference Grounds, Pacific Grove, California, and the Northeast Organic Farming Association of New York’s 31st Annual Organic Farming and Gardening Conference, Friday, Jan. 25 at Saratoga Hilton & City Center, Saratoga Springs, New York. 

Please check out our work at these valuable conferences if you’re in the area.

Update from Fukushima

Organic farmer Seiji Sugeno is fighting to keep alive his mountain village of Towa, whose economy is ravaged by the aftermath of the nuclear disaster two years ago.  Sugeno is convinced that human contact is the key to overcoming public fears of Fukushima produce, so he travels Japan explaining Fukushima farmers’ efforts to reduce radioactive contamination and sustain the land their ancestors have cultivated for generations.

Sugeno’s 24-year-old daughter Mizuho has launched the Seed of Hope Company to welcome guests from across Japan and internationally to visit their idyllic Playing-with-Clouds Farm and experience the life their family is fighting to protect.

Masami Yoshizawa, who kept his 300 cows alive inside the nuclear evacuation zone in defiance of a government kill order, despite losing many cows to an outbreak of disease, has seen his herd grow to 350 with new births and the adoption of strays from neighboring farms.  Possibly in retaliation for his outspoken activism and media presence, Yoshizawa lost his permit to enter the evacuation zone.  The day before Yoshizawa and his team were set to give up and release the herd, he reversed course and set out to confront the officials who had denied his permit, and demand the right to continue caring for his cows.

As new disasters turn the eyes of the world and Japan away from Fukushima, Uncanny Terrain continues our journey with Yoshizawa and the Sugenos and the other farmers who struggle every day to find a way to live in tune with a natural environment compromised by manmade catastrophe.

 Kartemquin Films’ Diverse Voices in Docs

Uncanny Terrain codirector Junko Kajino has been invited to join Diverse Voices in Docs, a new program of pioneering Chicago documentary producers Kartemquin Films (Hoop Dreams, The Interrupters) and the Community Film Workshop of Chicago, designed to develop talent among Chicago’s minority nonfiction filmmakers.  Diverse Voices in Docs is supported by the Joyce Foundation, The Academy for Motion Picture Arts & Sciences, and Kat Lei Productions.

New Projects

We have launched two new documentary projects.  One project follows two very different high school rap groups in Chicago’s West Side Austin neighborhood.

The other project explores one Chicagoan’s efforts to replace Syria’s embattled Assad regime with a fledgling democracy.

Donations Ongoing

Thank you to everyone whose contributions have allowed us to get this far.  We continue to accept tax-deductible donations toward the ongoing production, post-production, and eventual release of Uncanny Terrain.  Here’s how.  We remain, as ever, deeply grateful for your support.

Thanks to Our Translators

We send our profound gratitude to our international team of volunteer translators, who have been invaluable to our editing process by producing English-language transcripts from hundreds of hours of Japanese-language footage.

Thank you to Meg Kajino, Eugene Kobayashi, Peter Arbaugh, Yo Shin, Noriko Hopkins, Kazari Getz Kikuchi, Hiroshi Yasuda, Alice Tallents, Ayaka Maekawa, Chris Watts, Hiroko Uenushi, Mari Kawade, Naoki Izumo, Priscilla Watson, Tomoko Nakano, and especially Miki Takada, who has translated 16 days worth of footage!

If you’re still working on a file, or I’ve left your name off this list, please let me know.  There are still many files left to translate, so if you can help, or you know someone who can, please drop us a line or spread the word.

 Our Previous Film

Our international psychological drama The First Breath of Tengan Rei is available via download, streaming, or DVD.  Find it here.

Uncanny Terrain is supported in part by grants from the Illinois Arts Council and the Chicago Department of Cultural Affairs.

 

Screening footage July 19 with Antioch College in Yellow Springs, Ohio

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Uncanny Terrain codirector Ed M. Koziarski will screen work-in-progress footage and talk about the film with my alma mater Antioch College‘s Global Seminar on Energy, Thursday, July 19 at 1 p.m. at the Little Art Theatre in Yellow Springs, OH.  It’s free and open to the public.  RSVP here.

About Harvest interview with Uncanny Terrain codirector Ed M. Koziarski

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Yasukawaby Nancy O’Mallon
About Harvest
June 20, 2012

AH: What was the impetus for you to start the documentary, and when will it premiere

EK: We knew we wanted to tell a story about the 3/11 disaster, and in researching the situation, we were intrigued by the deep sense of connection to the land that Fukushima organic farmers expressed in the wake of the meltdown at Fukushima Daiichi Nuclear Power Plant. We plan to premiere next year…

AH: What outcome are you hoping your completed film will bring?

EK: We hope viewers will gain a better understanding of what it’s like for people in Fukushima, who are most often portrayed as merely tragic victims or intransigent. We hope some viewers will be moved to get involved, by reaching out to organizations in Fukushima, or by working for sustainable agriculture and alternative energy wherever they are.

Read more…

Fukushima Organic Farmers Fight Odds to Continue Livelihood Amidst Radiation’s Unknowns

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Sugenoby Kimberly Hughes
Ten Thousand Things
6/13/2012

This past January, while most participants at the Global Conference for a Nuclear Power Free World in Yokohama were angrily demanding that the government relocate endangered Fukushima citizens to safety, a small delegation of organic farmers had a different message to share. They had no intention of leaving their family land, they said, and as long as radiation levels remained within prescribed safety limits, others were urged to continue consuming Fukushima crops in support of the prefecture’s revitalization.

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Ishii’s cucumbers

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Ishii used to deliver food to Japanese restaurants in Maryland.  For years he studied EM (effective microogranisms) as a hobby.  Now he grows organic vegetables in Sukagawa, 60 km southwest of the Fukushima Daiichi Nuclear Power Plant.  He believes the EM prevents his crops from absorbing radioactive cesium—they have tested “ND”: no detectible radiation.

Saitos spread zeolite

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Father and son Saito powder their rice field with government-mandated zeolite. It’s intended to fix cesium in the soil to reduce absorption by crops, but some question its effectiveness and health impact. Fields across Fukushima are dotted with the white bags, and the white dust is everywhere.

Would You Stay?

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We were prepared to talk our way past a police checkpoint—or play dumb, in my case.  But we drove right over the border unaccosted.  13 months after the tsunami, the fields remain strewn with twisted cars and the insides of ravaged houses.  Cracked and roofless buildings stand untouched since the earthquake.

12 km up the Pacific coast from the still-smoldering Fukushima Daiichi Nuclear Power Plant, Minami-Soma was cleaved in two.  The north side of the city remains populated, while the south end was abandoned to the nuclear exclusion zone.  That is, until April 16, when, for the first time, evacuees were allowed to return home without a special permit, though they still can’t spend the night.

The Nemotos had an organic farm here for 12 years, spreading sustainable practices to their neighbors.  Mrs. Nemoto lost cousins in the tsunami.  They evacuated first to Fukushima City, where radiation is twice as high as it is here, and later to adjacent Soma, where they live with their son’s family.  The trauma of relocation has left their teenage granddaughter suffering sleepwalking and seizures.

Koichi Nemoto is determined to resume farming his evacuated land.  He’s working with a team of researchers to test various experimental methods of preventing crops from absorbing radioactive cesium.  He can grow anything, he says proudly.

It’s the complete opposite for their next-door neighbors, also named Nemoto (the name of the neighborhood, too).  The neighbor Nemotos have no desire to move back, they tell us as they revisit their abandoned home, and they consider cultivating their fields a lost cause.  They just want the government, or the power company, anybody, to buy their property, so they can move on.

If you were a Fukushima farmer, would you stay?

This was just one of the provocative questions students asked us, often in eloquent English, after we screened preview footage of our documentary Uncanny Terrain at Junko’s high school alma mater Inakita in Nagano in central Japan.

I answered that in the U.S., it’s relatively easy for us to pick up and go at the first sign of crisis or opportunity.  I’m a proud Chicagoan, sure, but the sense of identification the people in Fukushima feel for the land is on a whole other level.  One of my personal goals for this project is to better understand that sense of attachment.

I only learned later when she translated her answer for me that Junko said she would probably stay.

What makes a person decide whether to move on or stick out a disaster whose repercussions won’t be fully understood for decades?

How can these two families of Nemotos, living side by side, have such contradictory responses to the disaster?

Among the dozens of farmers we’ve met in the past year, we have seen a particular commitment by organic growers to stay and cultivate.  This is counterintuitive on its face.  These farmers, who have worked hardest to keep their crops free of contamination, are now the most perseverant in the face of the most insidious contamination they’ve ever encountered.  But on another level it makes perfect sense.  The commitment they have made to protect and perfect their land is not something they can walk away from, no matter the odds.

Please make a tax-deductible contribution to help us cover the cost of capturing and sharing this unfolding story.  And please spread the word.  Thank you!