We are in the midst of a campaign with Japanese crowdfunding site Motion Gallery, who raised $70,000 toward the production of Iranian master Abbas Kiarostami’s Japan-shot Like Someone in Love that premiered at the Cannes Film Festival last month. We have a more modest goal of $30,000 by Sept. 6. We hope you can join this campaign to support the completion of Uncanny Terrain. The site is in Japanese but it’s not difficult to navigate—click the orange button to register. We also have a variety of other tax-deductible donation options here. Thank you!
Today Uncanny Terrain codirector Junko Kajino begins an East Coast mini-tour, presenting scenes from the in-progress documentary for schools and community groups. Please join her if you’re in the area.
- Fri 3/2 – 7PM - Georgian Court University, Little Theatre, 900 Lakewood Ave, Lakewood Township, NJ
- Sat 3/3 – 6PM - Ocean County Building, Skywalk Cafe, 2nd Floor, 129 Hooper Ave, Toms River, NJ
- Sun 3/4 – 4PM - Hartsbrook School, Piening Hall, Upstairs auditorium, 193 Bay Rd, Hadley, MA Note corrected time
- Mon 3/5 – 6:30PM - First Church in Salem, Unitarian, 316 Essex St, Salem, MA
- Tue 3/6 – 6PM - Cambridge Friends Meeting Center, 5 Longfellow Park, Cambridge, MA
Now we need your help to return to Japan and revisit those working on the front lines of the nuclear crisis, as they mark the one-year anniversary and the farmers prepare to plant again.
We need to raise $10,000 by March 31 to cover the cost of traveling to Japan and shooting there through the April planting. Please join us by donating to and sharing our new IndieGoGo campaign. We encourage PayPal contributions because they are tax-deductible, and funds are available to us immediately. Thank you to everyone who has already supported Uncanny Terrain. Please send this invitation to your friends. Join the campaign on Facebook.
The organic farmers of Fukushima prefecture toiled for 40 years to grow safe, nutritious and delicious crops on their ancestral land while two nuclear power plants in the prefecture helped feed Tokyo’s increasingly voracious energy appetite.
Since the March 2011 tsunami triggered the meltdown that spread radioactive contamination on much of the lush farmland of Fukushima and eastern Japan, the farmers have been caught between a government in constant denial of the risks of radiation, and outraged citizens who brand the farmers “child murderers” for continuing to cultivate irradiated land.
But the farmers, researchers and volunteers are committed to building a comprehensive monitoring and reporting network to inform citizens about contamination levels in food, air, water and land, so families can make their own informed decisions; and advancing experimental methods to decontaminate soil or prevent crops grown on contaminated soil from absorbing radiation.
Fukushima has demonstrated the need for greater public vigilance to keep all our food and energy producers honest, not just about radiation but about all the potential contaminants that our collective appetites introduce into our bodies and our communities.
Please support Uncanny Terrain and help generate dialogue about these vital issues and assure that the struggles of people in Fukushima can stimulate positive change in the world. Thank you!
by Sam Worley
Along with Junko Kajino, occasional Reader contributor Ed M. Koziarski is codirector of Uncanny Terrain, a documentary about effects from last year’s tsunami and nuclear crisis on Japan’s rice farmers. This preview screening event includes music by Tatsu Aoki and his band the Miyumi Project, and David Tanimura shows digital collages about the nuclear threat. RSVP required; e-mail email@example.com.
by Ed M. Koziarski
North Avenue Magazine
Jan. 28, 2012
When does a victim become a perpetrator? That’s the question that kept coming up as we made our way across the irradiated landscape.
Many foreigners fled Japan after the tsunami triggered a meltdown at the Fukushima Daiichi Nuclear Power Plant last March. My wife Junko Kajino and I went the opposite way, spending five months inside the U.S.-declared 50-mile no-go radius for our in-progress documentary Uncanny Terrain.
Filmmakers Junko Kajino and Ed M. Koziarski talk about making the documentary Uncanny Terrain, about organic farmers facing Japan’s nuclear crisis. http://tinyurl.com/uncannyterrain
Fukushima farmers’ rice harvest sits in stockpiles, mostly unsold after radioactive cesium was detected in samples in and outside of the prefecture.
Unable to sell their rice, Fukushima organic farmers have become educators, promoting understanding among their customers about the interconnections of land use, energy consumption, and traditional culture.
Despite staggering odds, most of the farmers remain committed to preserving and recovering their land for future generations.
We return to Fukushima this March to capture the recovery efforts a year after the 3/11 tsunami, earthquake and nuclear disaster.
To support this endeavor, nonprofit arts support organization High Concept Laboratories presents Fukushima: 1 Year After the Meltdown, a benefit reception for Uncanny Terrain, Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
Tatsu is a jazz bassist and a leader of the Chicago Asian American Jazz Festival and Tsukasa Taiko Legacy.
David Tanimura will showcase his digital collages inspired by the nuclear crisis. Refreshments will be served. The reception is free but rsvp is required, and tax-deductible donations to the film are welcome.
Not in Chicago? Can’t make it? Want to help today? We continue to gratefully accept online tax-deductible donations in support of Uncanny Terrain.
Yoshizawa’s ranch is 14km downwind from the Fukushima Daiichi Nuclear Power Plant. The government ordered him to kill his 300 cows. Most of his neighbors’ animals are gone, but some have been released and joined his herd. Yoshizawa refuses to kill his cows. He wants them to be studied for the effects of radiation.
Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis, and an online community fostering dialogue on food safety, sustainable agriculture, alternative energy and disaster response. Please donate to keep the conversation going.