A documentary series about Fukushima farmers fighting to continue growing organic food on land contaminated by nuclear fallout
by Sam Worley
Chicago Reader
Along with Junko Kajino, occasional Reader contributor Ed M. Koziarski is codirector of Uncanny Terrain, a documentary about effects from last year’s tsunami and nuclear crisis on Japan’s rice farmers. This preview screening event includes music by Tatsu Aoki and his band the Miyumi Project, and David Tanimura shows digital collages about the nuclear threat. RSVP required; e-mail uncannyterrain@gmail.com.
This is video we shot of the December performance at the Museum of Contemporary Art Chicago by Uncanny Terrain composer Tatsu Aoki‘s group Tsukasa Taiko Legacy at JASC.
Tatsu and his band The MIYUMI Project will accompany preview scenes from Uncanny Terrain with their fusion of jazz and Japanese classical music from 6-7 p.m. at High Concept Laboratories‘ benefit reception this Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
Featuring art by David Tanimura, sushi by Chef Atsushi Iwamoto of Mizu Yakitori (thanks to Mayumi Miyazaki and Asako Hoichi), organic Daishichi Sake courtesy of JFC International, kurimanju and inarizushi by Jo Anne Yamamoto of Auntie Jo’s Yummies, and appetizers courtesy of Shino Tamura from Murasaki Saki Lounge.
All this for no cover charge! But a portion of art sales and all donations benefit our return to Japan in March to capture the first anniversary of the earthquake, tsunami and meltdown. If you’re coming, be sure to rsvp here or here.
Can’t miss the first half of the Superbowl? Not in Chicago? We still invite you to make a tax-deductible donation to fund the completion of the film.
Make checks payable to our new fiscal sponsor, Asian Improv aRts Midwest (AIRMW), c/o Japanese American Service Committee, 4427 N. Clark, Chicago, IL 60640 (memo: Uncanny Terrain).
And we continue to accept online donations through our ongoing fiscal sponsor Ionia Inc.
Uncanny Terrain has been awarded a grant from the Illinois Arts Council‘s Individual Artist Support fund for media arts. Thanks!
by Ed M. Koziarski
North Avenue Magazine
Jan. 28, 2012
When does a victim become a perpetrator? That’s the question that kept coming up as we made our way across the irradiated landscape.
Many foreigners fled Japan after the tsunami triggered a meltdown at the Fukushima Daiichi Nuclear Power Plant last March. My wife Junko Kajino and I went the opposite way, spending five months inside the U.S.-declared 50-mile no-go radius for our in-progress documentary Uncanny Terrain.
Filmmakers Junko Kajino and Ed M. Koziarski talk about making the documentary Uncanny Terrain, about organic farmers facing Japan’s nuclear crisis. http://tinyurl.com/uncannyterrain
Fukushima farmers’ rice harvest sits in stockpiles, mostly unsold after radioactive cesium was detected in samples in and outside of the prefecture.
Unable to sell their rice, Fukushima organic farmers have become educators, promoting understanding among their customers about the interconnections of land use, energy consumption, and traditional culture.
Despite staggering odds, most of the farmers remain committed to preserving and recovering their land for future generations.
We return to Fukushima this March to capture the recovery efforts a year after the 3/11 tsunami, earthquake and nuclear disaster.
To support this endeavor, nonprofit arts support organization High Concept Laboratories presents Fukushima: 1 Year After the Meltdown, a benefit reception for Uncanny Terrain, Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
From 6-7 p.m. we’ll screen a preview video with live accompaniment by our composer Tatsu Aoki and his band The MIYUMI Project, which performs a fusion of jazz and Japanese classical music.
Tatsu is a jazz bassist and a leader of the Chicago Asian American Jazz Festival and Tsukasa Taiko Legacy.
David Tanimura will showcase his digital collages inspired by the nuclear crisis. Refreshments will be served. The reception is free but rsvp is required, and tax-deductible donations to the film are welcome.
Not in Chicago? Can’t make it? Want to help today? We continue to gratefully accept online tax-deductible donations in support of Uncanny Terrain.
Just as the U.S. State Department announces that it’s safe to be here, it’s time for us to leave. We conclude our 20 weeks living and working among the organic farmers and food producers of Fukushima, a week after the State Department narrowed its travel advisory against visiting the area around the power plant from 80 kilometers to the Japanese government’s 20-kilometer evacuation zone.
Seven months since the beginning of the crisis, Japan stumbles toward recovery. Evacuated communities are being reopened near the nuclear plant, even as many efforts to decontaminate land are proving ineffective. With a number of notable exceptions, testing of rice and vegetables is showing much less contamination than was expected based on results in Chernobyl. Researchers investigate the reasons for these levels, considering the differing composition of Japanese soil, particularly certain minerals and bacteria that may remove radioactive cesium or prevent plants from absorbing it—bacteria that may thrive in organically cultivated land.
But the food testing regime is still sporadic, and no amount of lower test results will be sufficient to convince much of the public that Fukushima food is safe to eat. The organic farmers here toil to repair their land using natural methods (land that many of their families have tilled since before the U.S. was a country), to grow their food as free as possible of radionuclides, and to accurately communicate the condition of their produce to consumers. Constantly exposed to background radiation and inhaled particles in their fields, as well as from food and water, the farmers rank with cleanup workers in the groups at greatest risk of suffering health damage.
We will edit the film in Chicago through the fall and winter, and return to Japan next March to cover how the farmers weathered the seasons and how they fare as they prepare to plant again, a year after the disaster. In the meantime, we still need your support to cover the costs of postproduction. Please spread the word and if you can please make a tax-deductible donation to the project.
We produced this series of 15-20 second videos for Tokyo nonprofit Ganbatte 365, about Fukushima City bread maker and hemophiliac amputee Yuji Ohashi, whose company Ginray was one of the few reliable food sources in the area in the immediate aftermath of the 3/11 disaster.
During several nights of blackout, they baked and sold bread by car headlamps. Now he must seek organic suppliers outside Fukushima, even if local ingredients test negative for radiation. The videos will screen on electronic billboards in Tokyo and other cities.
by Ed M. Koziarski
Grist Magazine
9/20/2011
Round, rough-skinned pears fill our Fukushima City apartment. Before the pears it was enormous, impossibly succulent peaches. Apples will be next.
Prior to the meltdown at the Fukushima Daiichi Nuclear Power Plant six months ago, people all across Japan would send seasonal Fukushima-grown fruit to their relatives and neighbors. But now those outside Fukushima are too wary of possible radioactive contamination in produce grown here — and the fruit piles up.
The locals live with the risk. With a surplus of crops growing in the adjacent countryside, the fruits circulate in Fukushima like proverbial American fruitcakes at Christmas. We conspired to regift a box of pears to one neighbor, but they beat us to it and gave us another box. So we eat them all.
The organic peaches, pears, grapes and apples Kinju Watanabe grows in Fukushima City have shown no detectable radiation, despite soil contamination in the area of 2,000 Becquerels per kilogram, and other farmers’ fruits testing at 40-80 Bq/kg.
Although grown in contaminated sectors, Fukushima organic produce distributor Takehiro Makuta says all the food he distributes has tested “ND,” not detected—below the detection limit of the measurement device, not necessarily zero.
Some researchers theorize that bacteria and fungi that flourish in organic soil prevent the crops from absorbing cesium, or transmute the cesium into non-radioactive barium.
Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis, and an online community fostering dialogue on food safety, sustainable agriculture, alternative energy and disaster response. Please keep the conversation going by making a tax-deductible donation.
Seiju Sugeno is an organic farmer in Towa, Nihonmatsu, 50 km from the failed Fukushima Daiichi Nuclear Power Plant. The Abukuma Mountains partly shielded his rice fields from contamination, but runoff is an ongoing threat. Chairman of the Fukushima Organic Farmers Network, Sugeno works aggressively to clean his land and prevent his crops from absorbing radioactive cesium. He will work to reduce the contamination year by year, rigorously testing his yield and reporting any contamination he finds. His 23-year-old daughter Mizuho works with him. He hopes she can build a sustainable life for herself here.
Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis, and an online community fostering dialogue on food safety, sustainable agriculture, alternative energy and disaster response. Please keep the conversation going by making a tax-deductible donation.