Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis. Please support the production of the film.
Make checks payable to AIRMW, memo: Uncanny Terrain. Mail to AIRMW, c/o JASC, 4427 N. Clark, Chicago IL 60640. Or donate online via PayPal.
by Sam Worley
Along with Junko Kajino, occasional Reader contributor Ed M. Koziarski is codirector of Uncanny Terrain, a documentary about effects from last year’s tsunami and nuclear crisis on Japan’s rice farmers. This preview screening event includes music by Tatsu Aoki and his band the Miyumi Project, and David Tanimura shows digital collages about the nuclear threat. RSVP required; e-mail firstname.lastname@example.org.
by Ed M. Koziarski
North Avenue Magazine
Jan. 28, 2012
When does a victim become a perpetrator? That’s the question that kept coming up as we made our way across the irradiated landscape.
Many foreigners fled Japan after the tsunami triggered a meltdown at the Fukushima Daiichi Nuclear Power Plant last March. My wife Junko Kajino and I went the opposite way, spending five months inside the U.S.-declared 50-mile no-go radius for our in-progress documentary Uncanny Terrain.
By Jake Malooley
Jan. 25, 2012
One steamy day last July, Junko Kajino and Ed M. Koziarski found themselves in Fukushima, Japan, hiding beneath a tarp in the back of a pickup truck full of cow feed. The farmer behind the wheel smuggled the filmmakers into a government-mandated 20-kilometer evacuation zone that became highly contaminated with radioactive cesium after a massive earthquake 43 miles off the city’s coast in March. The quake triggered tsunami waves that smashed into the Fukushima Daiichi Nuclear Power Plant, causing meltdowns of three reactors.
Fukushima farmers’ rice harvest sits in stockpiles, mostly unsold after radioactive cesium was detected in samples in and outside of the prefecture.
Unable to sell their rice, Fukushima organic farmers have become educators, promoting understanding among their customers about the interconnections of land use, energy consumption, and traditional culture.
Despite staggering odds, most of the farmers remain committed to preserving and recovering their land for future generations.
We return to Fukushima this March to capture the recovery efforts a year after the 3/11 tsunami, earthquake and nuclear disaster.
To support this endeavor, nonprofit arts support organization High Concept Laboratories presents Fukushima: 1 Year After the Meltdown, a benefit reception for Uncanny Terrain, Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
Tatsu is a jazz bassist and a leader of the Chicago Asian American Jazz Festival and Tsukasa Taiko Legacy.
David Tanimura will showcase his digital collages inspired by the nuclear crisis. Refreshments will be served. The reception is free but rsvp is required, and tax-deductible donations to the film are welcome.
Not in Chicago? Can’t make it? Want to help today? We continue to gratefully accept online tax-deductible donations in support of Uncanny Terrain.