by Sam Worley
Along with Junko Kajino, occasional Reader contributor Ed M. Koziarski is codirector of Uncanny Terrain, a documentary about effects from last year’s tsunami and nuclear crisis on Japan’s rice farmers. This preview screening event includes music by Tatsu Aoki and his band the Miyumi Project, and David Tanimura shows digital collages about the nuclear threat. RSVP required; e-mail firstname.lastname@example.org.
This is video we shot of the December performance at the Museum of Contemporary Art Chicago by Uncanny Terrain composer Tatsu Aoki‘s group Tsukasa Taiko Legacy at JASC.
Tatsu and his band The MIYUMI Project will accompany preview scenes from Uncanny Terrain with their fusion of jazz and Japanese classical music from 6-7 p.m. at High Concept Laboratories‘ benefit reception this Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
Featuring art by David Tanimura, sushi by Chef Atsushi Iwamoto of Mizu Yakitori (thanks to Mayumi Miyazaki and Asako Hoichi), organic Daishichi Sake courtesy of JFC International, kurimanju and inarizushi by Jo Anne Yamamoto of Auntie Jo’s Yummies, and appetizers courtesy of Shino Tamura from Murasaki Saki Lounge.
All this for no cover charge! But a portion of art sales and all donations benefit our return to Japan in March to capture the first anniversary of the earthquake, tsunami and meltdown. If you’re coming, be sure to rsvp here or here.
Can’t miss the first half of the Superbowl? Not in Chicago? We still invite you to make a tax-deductible donation to fund the completion of the film.
Make checks payable to our new fiscal sponsor, Asian Improv aRts Midwest (AIRMW), c/o Japanese American Service Committee, 4427 N. Clark, Chicago, IL 60640 (memo: Uncanny Terrain).
Uncanny Terrain has been awarded a grant from the Illinois Arts Council‘s Individual Artist Support fund for media arts. Thanks!
by Ed M. Koziarski
North Avenue Magazine
Jan. 28, 2012
When does a victim become a perpetrator? That’s the question that kept coming up as we made our way across the irradiated landscape.
Many foreigners fled Japan after the tsunami triggered a meltdown at the Fukushima Daiichi Nuclear Power Plant last March. My wife Junko Kajino and I went the opposite way, spending five months inside the U.S.-declared 50-mile no-go radius for our in-progress documentary Uncanny Terrain.
By Jake Malooley
Jan. 25, 2012
One steamy day last July, Junko Kajino and Ed M. Koziarski found themselves in Fukushima, Japan, hiding beneath a tarp in the back of a pickup truck full of cow feed. The farmer behind the wheel smuggled the filmmakers into a government-mandated 20-kilometer evacuation zone that became highly contaminated with radioactive cesium after a massive earthquake 43 miles off the city’s coast in March. The quake triggered tsunami waves that smashed into the Fukushima Daiichi Nuclear Power Plant, causing meltdowns of three reactors.