Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis. Please support the production of the film.
Make checks payable to AIRMW, memo: Uncanny Terrain. Mail to AIRMW, c/o JASC, 4427 N. Clark, Chicago IL 60640. Or donate online via PayPal.
by Sam Worley
Along with Junko Kajino, occasional Reader contributor Ed M. Koziarski is codirector of Uncanny Terrain, a documentary about effects from last year’s tsunami and nuclear crisis on Japan’s rice farmers. This preview screening event includes music by Tatsu Aoki and his band the Miyumi Project, and David Tanimura shows digital collages about the nuclear threat. RSVP required; e-mail email@example.com.
This is video we shot of the December performance at the Museum of Contemporary Art Chicago by Uncanny Terrain composer Tatsu Aoki‘s group Tsukasa Taiko Legacy at JASC.
Tatsu and his band The MIYUMI Project will accompany preview scenes from Uncanny Terrain with their fusion of jazz and Japanese classical music from 6-7 p.m. at High Concept Laboratories‘ benefit reception this Sunday, Feb. 5, 5-8 p.m. at 1401 W. Wabansia in Chicago.
Featuring art by David Tanimura, sushi by Chef Atsushi Iwamoto of Mizu Yakitori (thanks to Mayumi Miyazaki and Asako Hoichi), organic Daishichi Sake courtesy of JFC International, kurimanju and inarizushi by Jo Anne Yamamoto of Auntie Jo’s Yummies, and appetizers courtesy of Shino Tamura from Murasaki Saki Lounge.
All this for no cover charge! But a portion of art sales and all donations benefit our return to Japan in March to capture the first anniversary of the earthquake, tsunami and meltdown. If you’re coming, be sure to rsvp here or here.
Can’t miss the first half of the Superbowl? Not in Chicago? We still invite you to make a tax-deductible donation to fund the completion of the film.
Make checks payable to our new fiscal sponsor, Asian Improv aRts Midwest (AIRMW), c/o Japanese American Service Committee, 4427 N. Clark, Chicago, IL 60640 (memo: Uncanny Terrain).
Uncanny Terrain has been awarded a grant from the Illinois Arts Council‘s Individual Artist Support fund for media arts. Thanks!
by Ed M. Koziarski
North Avenue Magazine
Jan. 28, 2012
When does a victim become a perpetrator? That’s the question that kept coming up as we made our way across the irradiated landscape.
Many foreigners fled Japan after the tsunami triggered a meltdown at the Fukushima Daiichi Nuclear Power Plant last March. My wife Junko Kajino and I went the opposite way, spending five months inside the U.S.-declared 50-mile no-go radius for our in-progress documentary Uncanny Terrain.
By Jake Malooley
Jan. 25, 2012
One steamy day last July, Junko Kajino and Ed M. Koziarski found themselves in Fukushima, Japan, hiding beneath a tarp in the back of a pickup truck full of cow feed. The farmer behind the wheel smuggled the filmmakers into a government-mandated 20-kilometer evacuation zone that became highly contaminated with radioactive cesium after a massive earthquake 43 miles off the city’s coast in March. The quake triggered tsunami waves that smashed into the Fukushima Daiichi Nuclear Power Plant, causing meltdowns of three reactors.
We produced this series of 15-20 second videos for Tokyo nonprofit Ganbatte 365, about Fukushima City bread maker and hemophiliac amputee Yuji Ohashi, whose company Ginray was one of the few reliable food sources in the area in the immediate aftermath of the 3/11 disaster.
During several nights of blackout, they baked and sold bread by car headlamps. Now he must seek organic suppliers outside Fukushima, even if local ingredients test negative for radiation. The videos will screen on electronic billboards in Tokyo and other cities.
These 15-second videos we produced for the Tokyo nonprofit Ganbatte 365 will appear on electronic billboards in Tokyo and Osaka.
On Aug. 6 we attended the 66th anniversary of the world’s first nuclear attack in Hiroshima, with Yuji Ohashi, a Fukushima City bread company owner who is committed to rebuilding Fukushima in the face of the nuclear fallout.
But Steven Leeper, the first non-Japanese chairman of the Hiroshima Peace Culture Foundation, says Fukushima’s recovery will be much harder than Hiroshima’s was. He’s hopeful that in light of the Fukushima crisis, Japan might overcome the nuclear industry’s dominance of its national politics and lead an international movement for a future free of nuclear weapons and nuclear power.
Uncanny Terrain is a documentary about organic farmers facing Japan’s nuclear crisis, and an online community fostering international dialogue about food safety, sustainable agriculture, alternative energy, and disaster response. Please keep the conversation going by making a tax-deductible donation.